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WELCOME TO POORLY WRITTEN MUSINGS

Movie reviews, lists and the occasional discussions over movies, TV, music and the odd video game.

A place where I talk about films, TV and other stuff I like. Remember, it's like, just my opinion, man.

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Review: John and the Hole (2021)

John and the Hole is another odd entry into the wonderfully varied plethora of coming-of-age stories at our disposal through cinema, TV...

Review: Atlantis (2021)

On paper, Atlantis has loads of potential. Set in 2025, Ukraine, one year after what is simply referred to as “the war”, we follow Sergiy...

Review: Pig (2021)

Pig offers an experience that you can’t really prepare yourself for. After reading the synopsis and watching the trailers, it still can’t...

Review: Gaia (2021)

2021 has given us two ecological horror projects that cover very similar themes that were also shot under very similar circumstances. Ben...

Review: Rare Beasts (2021)

Rare Beasts is absolute chaos that is confrontational in its frustrations, insecurities and anxieties rattling around the head of not...

Review: Cowboys (2021)

The western genre has birthed some of the greatest films ever with memorable heroes, villains, stories and settings. But, as thrilling as...

Classics Review: Mädchen in Uniform (1931)

Mädchen in Uniform is a film that creates and bends its own rules. It’s a film that is not only a groundbreaking piece of queer cinema,...

Review: The Killing of Two Lovers (2021)

Certain film titles evoke a particular response and expectation from the viewer. The Killing of Two Lovers is a title that entices with...

Review: In the Earth (2021)

Ben Wheatley’s much-anticipated return to horror has been met with a lot of intrigue and excitement. As a firm believer in Wheatley’s...

Review: Riders of Justice (2021)

Anders Thomas Jensen returns to the director’s chair six years after his absolutely bizarre piece of absurdist black comedy Men and...

Review: Monday (2021)

Monday is Greek director Argyris Papadimitropoulos’ fourth feature-length, his follow-up to his most well-received film Suntan (2016). It...

Review: Gunda (2021)

Gunda wants to challenge your perception of the animals that most commonly feed us. It doesn't want to be a piece of vegan propaganda...

Review: The Power (2021)

The Power has a set-up that signals its massive potential in being a classic horror in the making. It has tough themes and topics set...

Review: Mortal Kombat (2021)

Yes, Mortal Kombat is better than the atrocities of the 90s live-action films, but it’s still not very good. I will admit, I am not 100%...

Review: Shiva Baby (2021)

The close-knit and constant inside joke-ness of Jewish communities and traditions are a gold mine for comedic and personal insight....

Review: Violation (2021)

TRIGGER WARNING: RAPE Pergolesi’s Stabat Mater plays over a blurry shot slowly coming into focus. The title Violation appears with the...

Review: Like Father, Like Son (2013)

Hirokazu Kore-eda is a filmmaker who has a wonderful knack for exploring family dynamics and themes that somehow always feels relevant,...

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